 1710 – 1736 |
Pergolesi’s Stabat Mater – Alto Chorus Rehearsal AidALTO VOICE EMPHASISED – ALL OTHER VOICES DIMINISHED |
Part 1 - Stabat Mater Dolorosa
Part 3 - O quam tristis et afflicta
Part 4 - Quae moerebat et dolebat
Part 5.1 - Quis est homo
Part 5.2 - Pro peccatis suae gentis...
Part 7 - Eja mater fons amoris
Part 8 - Fac ut ardeat cor meum
Part 9 - Sancta mater, istud agas
Part 10 - Fac ut portem Christi mortem
Part 11 - Inflammatus et accensus
Part 12.1 - Quando corpus morietur
Part 12.2 - AmenRunning time: 35:47
| Now you can rehearse anywhere! So, whenever you’re in the car, you can keep on practising – just download this “Master Class” Chorus Rehearsal Aid directly from Chord Perfect for just US$10.00 and practice alongside any of our three chorus rehearsal formats… With your Master Class download you will receive the following:
2. The FULL Concert – all parts from the same work, with all voices undiminished to help you fine-tune your performance. 3. Instrumental Version – simply the accompaniment, with no voices – perfect for testing your memory of the piece! We include complete step-by-step instructions on how to easily transfer your downloaded audio files onto a mobile device. $10.00Add to basket |
Please note that Chord Perfect’s “50 Free Downloads” Choir Packs and additional “Full” Voice Concert and Instrumental Rehearsal Aids are only available for FREE when you purchase this “Master Class” Chorus Rehearsal Aid directly from Chord Perfect. |
CHORISTER BIOGRAPHIES
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Phillipa ThomasPhillipa began her choral training in Cantamus Girls’ Choir, with whom she toured extensively and competed successfully. She studied music at the University of York, winning the York University Concerto Prize and, following her MA, she continued her vocal training at Birmingham Conservatoire where she was a finalist in various competitions and winner of the Birmingham Conservatoire Singing Prize. Whilst at York, she was a member of the University Chamber Choir and a founder member of Blossom Street. Before concentrating on operatic projects she was a regular on the choral circuit in London and continues to perform as a member of Blossom Street. |
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Emily WenmanEmily completed her MA in Vocal Performance at the Royal Welsh College of Music and Drama, where she studied under Leah Marian Jones. She now trains with acclaimed soprano Gail Pearson. Emily is a principle soprano for professional ensembles including Blossom Street, The St Martin’s Voices Fellowship at St Martin-in-the-Fields, London, The Gesualdo Consort, Seren Singers, and Newman Hall Choir, and is an ex-choral scholar of The Chapel Choir of King’s College London and The BBC National Chorus of Wales. Emily is an experienced singing teacher and vocal animateur, and has worked on projects for The BBC National Chorus of Wales, The Arts Active Trust and WNO Max. |
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Musical Director: Hilary CampbellHilary Campbell is a freelance choral specialist, and is founder and Musical Director of professional chamber choir Blossom Street, and Musical Director of Bristol Choral Society, Chiswick Choir and the Music Makers of London. Her guest work includes ensembles such as the BBC Symphony Chorus, Trinity Laban Chamber Choir, BBC Radio 4’s Daily Service Singers, the University of Greenwich Choir and the Royal Academy of Music Symphony Chorus, whom she recently prepared for a performance of Mahler Symphony No. 2 at Royal Festival Hall conducted by Semyon Bychkov. She also runs an annual project with Master of the Queen’s Music, Judith Weir, at the Royal Academy of Music, in conjunction with Blossom Street and the RAM composition department, and is conductor of P&O Ferries Choir, the group which won the BBC2 series The Choir, and whom she met whilst filming for the series. |
