1841 – 1904

Dvorak’s Stabat Mater – 2nd Soprano Chorus Rehearsal Aid

2ND SOPRANO VOICE EMPHASISED – ALL OTHER VOICES DIMINISHED

Antonin Dvorák

Part 1 - Stabat Mater dolorosa

Antonin Dvorák

Part 3 - Eja, Mater, fons amoris

Antonin Dvorák

Part 4 - Fac, ut ardeat cor meum - 2nd Soprano

Antonin Dvorák

Part 5 - Tui nati vulnerati - 2nd Soprano

Antonin Dvorák

Part 7 - Virgo virginum praeclara

Antonin Dvorák

Part 10 - Quando corpus morietur - 2nd Soprano

Running time: 1:14:38

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CHORISTER BIOGRAPHIES

Felicity Davies

Felicity graduated from Trinity College of Music in 2010, where she won the TCM Vocal Contemporary Prize. She currently sings with various professional ensembles including: The BBC Singers, Ex Cathedra and The Armonico Consort yet she also enjoys having an active solo career. Oratorio includes: The Creation, Elijah, Mozart’s Requiem, The Messiah, Samson and Nelson Mass, All the Ends of the Earth (Judith Weir), Missa Angelorum (Carl Rütti) and Daniel Lésur’s Le Cantique des Cantiques at the BBC Proms in 2010. Former operatic roles have included: Olympia (The Tales of Hoffman), Zerlina (Don Giovanni), 1st Spirit (The Magic Flute), Mabel (Pirates of Penzance), Angelina (Trial by Jury), Rose Maybud (Ruddigore), La Fortuna (Giustino), Countess Almavira (Marriage of Figaro), Madame Herz (The Impressario), Lady Harriet (Martha), Susan (A Dinner Engagement) and Vagaus (Juditha Triumphans.)

Phillipa Thomas

Phillipa began her choral training in Cantamus Girls’ Choir, with whom she toured extensively and competed successfully. She studied music at the University of York, winning the York University Concerto Prize and, following her MA, she continued her vocal training at Birmingham Conservatoire where she was a finalist in various competitions and winner of the Birmingham Conservatoire Singing Prize. Whilst at York, she was a member of the University Chamber Choir and a founder member of Blossom Street. Before concentrating on operatic projects she was a regular on the choral circuit in London and continues to perform as a member of Blossom Street.

Graham Neal

Graham read music at the University of Surrey, winning the Robert Naylor prize. He continued his studies on the Knack opera course at the ENO and as a postgraduate at Trinity College of Music. On the operatic stage, he has performed at The Royal Opera House, English National Opera, Festival d’Aix-en-Provence, l’Opera Comique and Grange Park Opera. Adept at choral singing, he has appeared frequently in concert, on television, and on recordings. He sings with the Monteverdi Choir, The King’s Consort, Philharmonia Voices, English Voices, Sonoro, Orpheus Britannicus, the Hanover Band and Cappella Nova as well as being a member of the choir of the London Oratory Church.

René Bloice-Sanders

René began his vocal training as a treble in Canterbury Cathedral Choir, becoming a member of the National Youth Choir in 2004. Since graduating from The University of Nottingham in 2010 with a BA (Hons), he received a Distinction for his Masters in Vocal Studies at the Royal Academy of Music in 2013, where he was also awarded the Nora Carstairs Bland Award. He performs both in the UK and abroad where his operatic roles include Figaro (Il barbiere di Siviglia), Marcello (La boheme) Marco (Gianni Schicchi), Belcore (L’elisir d’amore), Orfeo (L’Orfeo) and Morales/Dancairo (Carmen) and his concert work has included Handel’s Messiah, Bach’s Johannes and Matthaus Passion, Brahms’ Requiem and Vaughan Williams’ Sea Symphony.

Charlotte Richardson

Charlotte is currently studying at the Royal Northern College of Music, having previously attended Trinity Laban Conservatoire of Music and Dance, King’s College London, and held a choral scholarship to Christ Church Cathedral, Dublin. She has undertaken both the Opera North and ENO chorus mentor schemes and is now an extra chorus member at Opera North. Before attending music college, Charlotte toured worldwide for several years as soprano soloist with Irish Riverdance choir Anúna.

Rosemary Clifford

Rosemary gained a first-class degree in English Literature from the University of Bristol before beginning postgraduate vocal studies at the Guildhall School of Music and Drama, from which she graduated with distinction. Her oratorio work includes Mozart’s Litaniae Lauretanae; Haydn’s Nelson Mass; Mendelssohn’s Elijah; Mozart’s Requiem; Britten’s Spring Symphony. Rosemary made her solo debut at the Royal Albert Hall singing Messiah with The Really Big Chorus, and was a semi-finalist in the London Bach Society’s Singers’ Prize 2015. She sings regularly with choral ensembles including the Monteverdi Choir and the Chapel Choir of the Royal Hospital Chelsea, as well as other ensembles around the UK.

Ben Thapa

Ben Thapa studied at the Guildhall School of Music and the Royal College of Music before graduating from the Wales International Academy of Voice in 2013 under the tutelage of Dennis O’Neill. His operatic credits include: President (Mittwoch aus Licht, Birmingham Opera/BBC Proms), Mat of the Mint (Beggar’s Opera, Royal Opera), and recently the role of Siegfried in The Quest for the Ring: scenes from Siegfried and Götterdämmerung at the Royal Festival Hall in association with Opera North. Ben has participated in a number of masterclasses, including Kiri Te Kanawa, Della Jones, Amanda Roocroft, Jonathan Dove (for Music Theatre Wales) and Graham Clark. In addition, Ben was twice a Britten-Pears scholar. Ben continues his study privately with David Pollard.

Musical Director: Hilary Campbell

Hilary Campbell is a freelance choral specialist, and is founder and Musical Director of professional chamber choir Blossom Street, and Musical Director of Bristol Choral Society, Chiswick Choir and the Music Makers of London. Her guest work includes ensembles such as the BBC Symphony Chorus, Trinity Laban Chamber Choir, BBC Radio 4’s Daily Service Singers, the University of Greenwich Choir and the Royal Academy of Music Symphony Chorus, whom she recently prepared for a performance of Mahler Symphony No. 2 at Royal Festival Hall conducted by Semyon Bychkov. She also runs an annual project with Master of the Queen’s Music, Judith Weir, at the Royal Academy of Music, in conjunction with Blossom Street and the RAM composition department, and is conductor of P&O Ferries Choir, the group which won the BBC2 series The Choir, and whom she met whilst filming for the series.
In addition to her regular conducting work, Hilary also acts as an adjudicator, choral workshop leader and guest conductor. She is a founder member of the Voices of London Festival, and is also a published and prize-winning composer.